Anyway, one of the things that I uncovered was a stack of quilts purchased from the 2016 SAQA Online Auction. The quilts for the 2017 auction in September can be seen here. Usually I make a contribution, but this year? Quilting has been at a minimum. I'm lucky if I can pop out a birthday card every 3 months.
I hung the latest acquisitions, and thought that you might like to see the quilts bordering my Studio ceiling. Here they are, in no particular order:
This first quilt is "Sequoia Mini," by Teri McHale.
Next are a quilt by Phyllis Cullen, and "Joy Cometh in the Morning, Psalm 30:5 by Margaret Blank.
This is the view of the ceiling, as you first enter the Studio. The other quilts on the wall are by Nancy Brown, (then Phyllis Cullen, Margaret Blank), Kristin Eilers, (Teri McHale), and Sara Kelly.
Pivot 90 degrees, and you see this one.
"Ramble" by Marion Shimoda. I had the privilege of meeting Marion in May 2016, when I was in Sisters, Oregon, taking a class. Her detail work and teeny piecing are exquisite.
Next are "Cloudburst" by Gwen Goepel, and "Found on Whangaumu" by Mathea Daunheimer of New Zealand. I bought "Found" in Houston, in 2015.
This is "Green Fields #3" by Christine Hager-Braun.
This lusciously textured raspberry one does not have a label, so I cannot tell you its title or its maker.
This is the corner, to the left of my sewing space. The quilt on the far right is by Charlotte Rogers. The triptych on the far left is by Sharon L. Schlotzhauer. The four crazy quilts in the corner were purchased from the Alzheimer's fundraiser, again in Houston, probably around 2013.
Above the door are "Abstract #3" by Shoshi Rimer (of Israel), "Trail Ride" by Jennifer Hammond Landau, and "Philodendron Phantasy" by Aileyn Renli Ecob.
Next come "Red Coleus" by Susan Brubaker Knapp, and "Spring Ginkgoes" by Franki Kohler. I know both artists, and they are as lovely as their quilts. (I've also met Aileyn Ecob. She, too, is a delight.)
whew! That's quite the tour, and quite the collection. And I don't have room for any more, unless I seep into another room. I prefer to have the quilts on display, as I find them to be quite inspiring. They represent artists worldwide, using a myriad of techniques. Each quilt spoke to me, and several are made by nationally recognized quilt artists. I am thrilled to have them hang in my Studio.
And, just in case you think I've done nothing but sit back and admire other people's work, I have done a tad of quilting of my own. I've pinned,
I've made templates,
and I've even made a (belated) birthday card for my daughter.